This is one of the finest examples of blending theatre and dance I’ve seen in 2018 so far, and the relevant subject matter – along with the production value – make it one of those shows that needs to be seen by as many people as possible.”

”The entire show is a stunning visual experience that needs to be seen with your own eyes, and the lighting and sound effects arguably deserve just as much credit as the performers, for making it as emotionally impactful as it is.”

”Throughout, there are several moments which are bound to leave audience members shaken, if not emotional. Furthermore, while I can only speculate, as a male reviewer, I can imagine that nearly any woman who sees this will relate significantly to the content of this piece, on some level.
— Anthony J. Piccione - New York Theatre Critic Onstage Blog Review

Girl Inside the Mirror enjoyed a successful run this summer at Planet Connections Theatre Festivity in the Lower East Side, where it played to sold-out houses and earned eight nominations for Planet Awards.”

”If you caught the show then, you know why it was selling out. And it should come as no surprise that an extension would be in order.”

”This work by Nicoletta Mandriotti merges modern dance with just enough of a traditional dramatic experience to satisfy aficionados of either genre—and especially those of both.”

”At times synchronized but often offset or even intertwined, the teasing from the ensemble presents a horrific image of a condition that is impossible to control and intolerable to live with.”
— OPPLAUD NEW YORK - ANDREW ANDREWS REVIEWS: "GIRL INSIDE THE MIRROR" AT DREAM UP FESTIVAL, THEATER FOR THE NEW CITY

To build such mood and story in an initiate space is a tribute to Mandriotti and her team. Aside from the mood, this piece is written with enough leeway for interpretation making it accessible to anyone.
— ALEXA GARCIA - OUTER-STAGE “DARK MIRROR” REVIEWS: "GIRL INSIDE THE MIRROR" AT PLANET CONNECTIONS FESTIVAL

This all-woman performance was truly beautiful and apropos in this time when a woman’s identity is – once again – in question. The style of clothing was very chic and simple, revealing the simplicity of non-simplicity. Lighting – a simply use of fades and red gels, had a life of its own and the mesmerizing music was melancholy, moving and dark. It deserves to be seen by many more people. Lovely piece. I was very happy to have attended.
— Drama Queen Reviews by Amanda Kavaja "The Dark Side", PLANET CONNECTIONS FESTIVAL